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Tunes and Tablatures

Off to California

April 27, 2022 by Cy...

Image of Irish immigrants boarding a ship bound for California.

Irish immigrants heading for the U.S.

Just the name of this tune, “Off to California“, brings up images and stories of immigrants getting on a boat and heading to the ‘new country’ – heading to America.

The movies I watched as a kid often portray it in different ways, and sometimes it all seemed kind of exciting and romantic. Although, years ago, it wasn’t.

I can’t imagine the hardships and suffering that these adventurers and families must have gone through in search of a new life in America.

And in those days,moving through uncharted territory and crossing mountains to get to California would have been that much more difficult.

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A Little History

In 1821, Mexico gained independence from Spain. What is now known as California became Mexican territory. There was some settlement around the different trading ports, but most the population consisted of nomadic natives, traders, trappers and adventurers. There was no real law, and the southern areas were mostly controlled by a couple of prominent Mexican families.

California remained under Mexican control for 25 years. Texas had gained independence from Mexico in 1836, it was not yet a state and some lands in the territory were still disputed. In 1846 Mexican cavalry attacked and killed U.S. soldiers on this disputed land, and the U.S. entered into war with Mexico.

The war lasted about 2 years, and California became U.S. property as part of the treaty agreement ending the Mexican-American War. Amazingly, just days before the Mexican Government gave up the land, gold was discovered in California.


The Chords

Here are some chords that I might use in attempting to back up this melody. Of course, these are just suggestions. You can use the full chord, or completely different voicings if something else suits your ear.

Image of mandolin chords for the tune “off to California”.
I’ve muted the 1st string (E) in each chord.

The Tune

“Off to California” is a traditional Irish hornpipe. The tune is one of many melodies collected by Francis O’Neill and later published in “O’Neill’s Music of Ireland“.

There are two settings in that publication (#1628 and #1629). If you look at those settings you’ll notice the dotted quarter notes.

Hornpipes are supposed to have a little ‘lilt’, or a ‘bounce’ to them, and that’s often written with dotted quarter notes. I sometimes find that sounds a little static, or a little much, like.. Ta Da, Ta Da, Ta Da, Ta Da… I like the bounce to be a little less pronounced, but that’s just my opinion. You, of course, will play it how you like!

I’ll usually tab out a hornpipe without the dotted notes, then put the lilt and emphasis in wherever I want. But sometimes, I just end up playing the hornpipe more like a reel. Especially when I speed up.

“Off to California” is in the key of G Major, and I’ve tabbed it out in 4/4 timing (without dotted notes). The second version is slowed down a little, with a bit of a bounce.

Off to California
Slower
Mandolin tablature for the Irish Hornpipe “Off to California”.
Mandolin tab & music for the Irish hornpipe “Off to California”.

Downloads:

Tab & MusicDownload
Just the TabDownload
Just the MusicDownload
Make a donation to SimplyMandolin

If you feel you can help support this site with the donation of a dollar or two, It would be very much appreciated…

If you don’t wish to donate at this time, I totally understand – Enjoy!

What a rush!

During the ‘California gold rush‘, it’s estimated that over 130,000 people entered over the California Trail, and even more arrived by sea. As a result, the population increased 1000-fold and, though it wasn’t even a Territory yet, U.S. Congress rushed to incorporate California into the Union. In 1850, California became the 31st U.S. State.

Sometime in 1853, Congress appropriated funds to survey, and establish routes that would connect the Atlantic and Pacific coasts. Ten years later, they contracted the Union Pacific Railroad, and the Central Pacific railroad to build the ‘Transcontinental Railway‘.

After the end of the civil war in 1865, there was a big push to finish the railway and join the country together. On May 10th, 1869, the two railways had met, and the last spike was driven into the rail line at Promontory, Utah. As a result, towns flourished all across the U.S., and travel ’off to California” was now cheaper, faster and much safer.

Today, California is the most populated state in the U.S.A.

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Buckskin Reel

February 28, 2022 by Cy...

image of old stye buckskin clothing made by the Metis.

Buckskin Leathers

Buckskin Reel is another great tune from Canadian Métis fiddler Andy Dejarlis. When Andy died (near Winnipeg, Manitoba in 1975), he had recorded nearly 200 original compositions. I think his most recorded composition would be Whiskey Before Breakfast. I’ve also got Caribou Reel tabbed out on this site.

The name of this particular melody ( Buckskin Reel) was probably a tribute to the ornate buckskin clothing and accessories that were worn by the Métis people across Canada, many years ago. The different coats, moccasins, leggings, etc.., were made from deer skin or elk hide, and often decorated with porcupine quills, feathers and beads..

The art has been passed down over the years. As a result, you can still find modern examples of these beautifully decorated items worn today. The Métis are renown for their intricate and colorful floral patterns and beadwork.

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The Chords

Firstly, we have a pretty simple chord pattern, with only three chords. In addition, you’ll notice a slight deviation from the common I – IV – V progression. The composer has chosen a I – vi – V progression. Therefore, we end up with the minor 6th chord of the scale. As a result, in the key of D Major we’ll use D – Bm – A.

Below, are some shapes that I like. They’re formed on the 2nd, 3rd and 4th strings, with the 1st string muted.

Some chord shapes to try

Or, for more of an ‘old-timey’ feel, try the D Major and A Major chords like this:

Of course, these are only suggestions. For example, you can use the full chord form if you like, and there are other chord voicings that will work just as well. See if you can come up with something different that suits your ear better.

The Tune

I’ve tabbed Buckskin Reel out in 4/4 timing. It’s in the key of D Major and has the standard reel format – played A-A-B-B.

The tab/music in the image below is the basic melody without embellishment.

Buckskin Reel
Slower
Mandolin tab & music for the Andy Dejarlis tune “Buckskin Reel”.

Downloads:

Tab & MusicDownload
Just the TabDownload
Just the MusicDownload
Make a donation to SimplyMandolin

If you feel you can help support this site with the donation of a dollar or two, It would be very much appreciated…

If you don’t wish to donate at this time, I totally understand – Enjoy!

Can we pull it off?

This arrangement started out as a note-for-note transcription of Buckskin Reel that I found on YouTube, played by Andy DeJarlis himself. However, I did remove some of the little embellishments to make it easier to learn (Ok, I might have changed the B-part a little bit too, just for fun).

If you listen to DeJarlis play this tune, you’ll hear a little ‘trill’, or embellishment on many of the notes throughout the tune. We can pull this off on the mandolin by using a ‘pull-off’ (pun intended).

In the download, you’ll find a few examples of these embellishments in the second version of the tune. This is fun to play on the mandolin, I hope you like it.


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The New York Volunteer

January 30, 2022 by Cy...

drawing of soldiers camp for the new york volunteers

Old civil war drawing

“The New York Volunteer” is an old civil war song. It was suggested for the site by a mandolin player named Callum, from South East Hampshire, UK. I believe he had heard it on an old Bobby Horton album.

I was totally unfamiliar with the melody, and can’t recall ever hearing of it before. But, I found a few different recordings and thought I might give it a go.

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The Tune

The melody actually comes from another old tune, ‘The Lincolnshire Poacher’. It’s an old English folk song that was (and still is) used in several different locales as a marching song. With a change of lyrics, the melody was used by some of the New York Regiments during the American Civil War and renamed ‘The New York Volunteer’.

This tune has been recorded by many different artists over the years. The following setting is in the key of G Major, with a 6/8 time signature (count 6 beats per measure). As a result, with emphasis on the 1st and 4th beat, you can get the feel for that marching rhythm.

I’ve tabbed out 3 slightly different versions. The first two are very similar to each other, with some slight variations in the second. Just for fun, the third version is played an octave higher and moves up the neck for a few bars.

I apologize in advance for the sound file. I’m recording it on my phone and the furnace keeps cutting in.

New York Volunteer
Slower

To save space, I’ve only included an image of the first version below. But, you’ll find all three versions in the download.

Mandolin tab & music for the bluegrass tune “Cripple Creek”.

Downloads:

Tab & MusicDownload
Just the TabDownload
Just the MusicDownload
Make a donation to SimplyMandolin

If you feel you can help support this site with the donation of a dollar or two, It would be very much appreciated…

If you don’t wish to donate at this time, I totally understand – Enjoy!

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Flying Indian

September 12, 2019 by Cy...

Image of an old restored Indian Motorcycle.

The Indian Motorcycle

Flying Indian is an old-time tune that I had never heard before.

For some reason when I saw the title for the first time, it made me think of the Indian Motorcycle. Perhaps there was a model by that name, I don’t know. It’s just the first thing that popped into my head. And, that’s why you see the pic on the left. However, I’m pretty sure the tune has nothing whatsoever to do with the motorcycle.

This was a request that interested me from the beginning. Like I said, I wasn’t familiar with the tune at all. I didn’t find much in the way of history or info for it (didn’t look too hard), but I did find a recording by Dan Levenson on iTunes (Beyond the Waterfall), and most notably, by one of my favorites – Bruce Molsky (on his “Can’t Stay Here This A-Way” album).

This melody seems to lay out quite well on the mandolin.

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The Tune

“Flying Indian” is tabbed out here in the key of G major. The A-part is played two times, followed by the B-part, also played twice. There’s nothing really tricky in this version. Therefore, it should be fairly easy for everyone to pick up.

I did keep fumbling around with this melody, so I’ll make another version available in the mailout this month!

Listen to “Flying Indian” for mandolin

Flying Indian


Here’s the slower version to play along with (100bpm):

Slower
image of mandolin tab & music for the old time fiddle tune "The Flying Indian".
Mandolin tab & music for the old time fiddle tune “Flying Indian”.

Downloads:

Tab & MusicDownload
Just the TabDownload
Just the MusicDownload
Make a donation to SimplyMandolin

If you feel you can help support this site with the donation of a dollar or two, It would be very much appreciated…

If you don’t wish to donate at this time, I totally understand – Enjoy!

If any downloads or images are missing, please let me know. I’ll get on it as soon as I can.

That’s all…

Thanks for taking a look at “Flying Indian”. I hope you enjoy playing this old-time fiddle tune.
Please feel free to leave comments below.


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Boys of Blue Hill

March 31, 2019 by Cy...

Picture of a young Irish boy with a fiddle.

Young boy with fiddle.

“The Boys of Blue Hill” is an old Irish hornpipe. I like playing hornpipes, but I’ve always found the form a little difficult to understand.

Some are written with an even tempo and sound like a slow reel, others are written with dotted notes throughout, and are played with a bit of a ‘lilt’. Hornpipes are sometimes in 4/4 time, and sometimes in 2/4 time (as well as other time signatures). If you look at the music notation, it’s not unusual to find the same tune written in different time signatures.

I first learned this particular tune from the “Foin Seisiun 1” album. I’ve learned a huge number of jigs, reels and hornpipes off those albums. But, “The Boys of Blue Hill” was played with an uneven tempo, and it seemed to be in 4/4 time. I felt this was confirmed when I later found it in The Fiddler’s Fake Book (in 4/4 time). However, its in O’neil’s Music of Ireland with a 2/4 time sig.

I guess it just depends on the day!

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As a result, the style seems to be very open to interpretation and variation.

For myself, I find the best thing to do is listen to multiple versions of any tune. Then, if I hear something in particular that catches my ear (a certain passage or musical phrase), I may incorporate that into my version – or into a different tune. Also, I find the ‘feel of a tune’, or at least the way I play it, can change with my mood on any given day.

Of course, after having said all that, sometimes you just go with whats already there…


The Tune

The following version of “The Boys of Blue Hill” is based on the arrangement in O’neil’s Music of Ireland. As a matter of fact, its pretty much lifted right off of page 316 (with a few minor changes).

Its in the key of D major, set to a 2/4 time signature.  The A-part is played twice, then the B-part is played twice before repeating.

Listen to “Boys of Blue Hill” for mandolin

Boys of Blue Hill
Slower
Image of music and tab for "Boys of Blue Hill".
Mandolin tablature for the Irish tune “Boys of Blue Hill”.

Downloads:

*Tab & Music
*Just the Tab
*Just the Music
Make a donation to SimplyMandolin

If you feel you can help support this site with the donation of a dollar or two, It would be very much appreciated…

If you don’t wish to donate at this time, I totally understand – Enjoy!

If any downloads or images are missing, please let me know. I’ll get on it as soon as I can.

Second Time Through

I think one of the most common embellishments you’ll find on this particular tune is the hammer-on triplet in measures 3 and 7 of the A-part, and measure 16 in the B-part.

It looks like this:

image of a triplet to add variation to the tune "Boys of Blue Hill".
insert into measures 3, 7 and 16.

Once you feel you’ve got a handle on the arrangement, go back and give this a go in each of those measures.

Thanks for taking a look at “The Boys of Blue Hill”. I hope you enjoy the tune.

Please feel free to leave comments below.


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Bill Cheatham

February 3, 2019 by Cy...

image of a dusty cowboy - watercolor Jani Freimann

Watercolor by Jani Freimann

Bill Cheatham is another popular old-time fiddle tune. Many well-known musicians have recorded this simple little melody, and it has always been a common and ‘often learned’ bluegrass session tune.

Finding information on its origin was pretty much futile, at least in the time I spent scouring the internet. I was able to find a couple of old recordings from the late 1800’s, but no composer – and not a bit of info on who Bill Cheatham might have been.

But, the tune has survived, and remained popular for over a hundred years, like thousands of other traditional old melodies. It isn’t a difficult tune to play, and well worth the effort to learn.

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The Tune

Bill Cheatham is most often played in the Key of A. The ‘A-part’ is usually played twice followed by the ‘B-part’ (also twice).

I’ve written a basic version below that everyone should be able to work with. Following that, I’ve shown a couple of simple little two-bar variations. Nothing complicated, I’ve  just added a couple of notes to demonstrate how we can keep our right hand moving. After learning the arrangement as shown below, try playing the changes. Practice it until you can just pop them in and out whenever you want.

Both versions are in the downloads.

Listen to “Bill Cheatham” for mandolin (version 1)

Bill Cheatham
Image of mandolin tab for the tune "Bill Cheatham".
Mandolin tablature for version 1 of the tune “Bill Cheatham”.

Downloads:

*Tab & Music
*Just the Tab
*Just the Music
Make a donation to SimplyMandolin at https://www.paypal.com/donate/?hosted_button_id=6T4RDDANKE8PN

If you feel you can help support this site with the donation of a dollar or two, It would be very much appreciated…

If you don’t wish to donate at this time, I totally understand – Enjoy!

Just a note or two…

Just adding a couple notes here and there can help keep your right hand moving. What notes can you add? To start with, look at the key your tune is in (this tune is in the key of A), and try notes from that scale.

Sometimes, just adding a note or two can make a big difference to the flow of your tune, as well as the finger movement of your left hand.

As an example, in the A-part, take a look at the 6th and 7th measures.

Instead of this:

image of the sixth and seventh measures of Bill Cheatham before adding more notes.

Try the following:

Image of the 6th and 7th measures after adding a couple of notes.

We could also make some simple changes to the 12th and 13th measures in the B-part.

Instead of this:

image of the 12th and thirteenth measures of Bill Cheatham before changes.

Try this:

Image of the two measures after adding a couple of notes.

Listen to “Bill Cheatham” for mandolin after these easy changes:

Bill Cheatham version 2

Take a look around and see where else you might be able to add a note or two. Of course, if you wanted, you could add enough to produce a constant barrage of 8th notes throughout the whole arrangement. That would be a great exercise to help learn how to change the flow, or how to keep your right hand moving. As a result however, your tune could end up sounding a little less musical and more like a typewriter.

Its not a matter of trying to make it more difficult to play, but to improve the flow or make it more musical. So, add to and take away until it sounds good to your ear.

Drones

Another thing to think about with this tune is drone notes. In the key of ‘A’, two of the major tones  are ‘A’ and ‘E’. As a result, the open first and second strings can often be struck as drones. It’s up to you to decide where they sound best.

Experiment a little and see what you can come up with.

Thanks for taking a look at Bill Cheatham. I hope you enjoy the tune.


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