{"id":977,"date":"2017-03-16T13:34:58","date_gmt":"2017-03-16T19:34:58","guid":{"rendered":"http:\/\/simplymandolin.com\/?p=977"},"modified":"2022-03-26T14:35:56","modified_gmt":"2022-03-26T20:35:56","slug":"moveable-mandolin-chords","status":"publish","type":"post","link":"https:\/\/simplymandolin.com\/flekd\/moveable-mandolin-chords\/","title":{"rendered":"Moveable Mandolin Chords"},"content":{"rendered":"\n
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\"Image<\/figure><\/div>\n\n\n\n

Moveable chords<\/strong> are a great way to expand your chord vocabulary on the mandolin. Thus opening up the fingerboard and enabling you to figure out many different chords. It can also help you to gain access to almost any key.<\/p>\n\n\n\n

Any chord, or shape on the fingerboard can be made into a moveable chord as long as you understand where the root is, and you don\u2019t play any open strings. However, there are a few popular moveable chords and shapes<\/strong> that we can take a look at.<\/p>\n\n\n\n

Every chord is named after its root note. In the following diagrams, the root note is indicated in red.<\/em><\/p>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n

Moveable Chords – Shape 1<\/h3>\n\n\n\n

For discussion purposes, we\u2019ll call this chord shape the \u201cA-style<\/b>\u201d.<\/p>\n\n\n\n

\"Image
\u201cA-style\u201d moveable chord<\/figcaption><\/figure><\/div>\n\n\n\n

As you can see, the root note for this chord shape is on the 4th string<\/b> (the G string) of the mandolin.<\/p>\n\n\n\n

If we place this chord on the fingerboard with our index finger (the red dot) on the second fret of the G-string, we get an \u201cA\u201d chord (as seen in the diagram) because the second fret of the 4th string is an “A” note.<\/p>\n\n\n\n

So, the notes on the 4th string<\/b> (the G-string) define, or name our chord.<\/b><\/p>\n\n\n\n

Therefore, you can move the shape up and down the neck, naming the resulting chord after note fretted on the 4th string. If we move the whole shape down a fret, so that our index finger (the red dot) is on the first fret of the G-string, we\u2019d have an \u201cAb\u201d chord (or a \u201cG#\u201d). Also, if we slide it up so that the root is on the 3rd fret of the G-string, we get an \u201cA#\u201d (or a \u201cBb\u201d).<\/p>\n\n\n\n

\u2022 4th fret \u2013 \u201cB\u201d
\u2022 5th fret \u2013 \u201cC\u201d
\u2022 6th fret \u2013 \u201cC#\u201d or \u201cDb\u201d
\u2022 7th fret \u2013 \u201cD\u201d
\u2022 8th fret \u2013 \u201cD#\u201d or \u201cEb\u201d
\u2022 9th fret \u2013 \u201cE\u201d
\u2022 etc\u2026<\/p>\n\n\n\n

Variations to the “A-style” moveable chord<\/h3>\n\n\n\n
  • A basic chord consists of the first (root), third and fifth<\/strong> of the scale.<\/li>
  • To get a minor chord <\/strong>we flat the third.<\/b><\/li>
  • We add a flatted 7th note<\/strong> to get a 7th chord<\/strong> (dominant 7th).<\/li>
  • If we want a minor 7th<\/strong>, then we flat the 3rd and<\/u> add a flatted 7th<\/strong>.<\/li>
  • For a major 7th<\/strong> , we add the 7th<\/strong> note of the scale to the basic triad.<\/li><\/ul>\n\n\n\n

    Each variation can be moved up or down the neck!<\/p>\n\n\n\n

    \"Image
    Variations for the “A-style” moveable mandolin chord.<\/figcaption><\/figure><\/div>\n\n\n\n

    Moveable Chords – Shape 2<\/h3>\n\n\n\n

    For discussion purposes, we\u2019ll call this chord shape the \u201cE-style<\/b>\u201d.<\/p>\n\n\n\n

    \"Image
    \u201cE-style\u201d moveable chord<\/figcaption><\/figure><\/div>\n\n\n\n

    As you can see, the root note for this chord shape is on the 3rd string<\/b> (the D string). If we place this chord on the fingerboard with our index finger (the red dot) on the second fret of the D-string, we get an \u201cE\u201d chord.<\/p>\n\n\n\n

    With this shape, the notes on the 3rd string<\/b> (D-string) define, or name the chord<\/b>.<\/p>\n\n\n\n

    If we move the whole shape down a fret, so that our index finger (the red dot) is on the first fret of the D-string, then we’ll have an \u201cEb\u201d chord (or a \u201cD#\u201d). By sliding it up, so that the root is on the 3rd fret of the D-string, we get an \u201cF\u201d.<\/p>\n\n\n\n

    \u2022 4th fret \u2013 \u201cF#\u201d or \u201cGb\u201d
    \u2022 5th fret \u2013 \u201cG\u201d
    \u2022 6th fret \u2013 \u201cG#\u201d or \u201cAb\u201d
    \u2022 7th fret \u2013 \u201cA\u201d
    \u2022 8th fret \u2013 \u201cA#\u201d or \u201cBb\u201d
    \u2022 9th fret \u2013 \u201cB\u201d
    \u2022 etc\u2026<\/p>\n\n\n\n

    Variations<\/h3>\n\n\n\n
    \"Image
    Variations for the \u201cE-style\u201d moveable mandolin chord.<\/figcaption><\/figure><\/div>\n\n\n\n

    Moveable Chords – Shape 3<\/h3>\n\n\n\n

    We\u2019ll call this shape the \u201cD-style<\/b>\u201d moveable chord.<\/p>\n\n\n\n

    \"Image
    \u201cD-style\u201d moveable chord<\/figcaption><\/figure><\/div>\n\n\n\n

    As you can see, the root note for this chord shape<\/b> is under our middle finger, on the 2nd string<\/b> (the A string). As a result, the chord is named by the notes on the 2nd (A) string. If we place this chord on the fingerboard with our middle finger (the red dot) on the 5th fret of the A-string, then we get a \u201cD\u201d chord.<\/p>\n\n\n\n

    With this chord shape, the notes on the 2nd string define, or name our chord<\/b>. We don\u2019t usually want the 1st string to sound, so we try to mute the 1st string with the fleshy part of our index finger.<\/p>\n\n\n\n

    If we move this shape down 2 frets, so that our middle finger (the red dot) is on the third fret of the A-string, this will result in a \u201cC\u201d chord. If we slide it up one fret from there, so that the root is on the 4th fret of the A-string we end up with a \u201cC#\u201d (or a \u201cDb\u201d).<\/p>\n\n\n\n

    \u2022 5th fret \u2013 \u201cD\u201d
    \u2022 6th fret \u2013 \u201cD#\u201d or \u201cEb\u201d
    \u2022 7th fret \u2013 \u201cE\u201d
    \u2022 8th fret \u2013 \u201cF\u201d
    \u2022 9th fret \u2013 \u201cF#\u201d or \u201cGb\u201d
    \u2022 10th fret \u2013 \u201cG\u201d
    \u2022 etc\u2026<\/p>\n\n\n\n

    D-style Variations<\/h3>\n\n\n\n
    \"Illustration
    Variations for the \u201cD-style\u201d moveable chord.<\/figcaption><\/figure><\/div>\n\n\n\n

    Here is another variation. It\u2019s a bit of a stretch for the fingers, but it frets the 1st string. Because its used as a chop chord, it\u2019s one you should work on.<\/p>\n\n\n\n

    \"Image
    \u201cD-style\u201d chop chord.<\/figcaption><\/figure><\/div>\n\n\n\n

    Moveable Chords – Shape 4<\/h3>\n\n\n\n

    We’ll refer to the next chord shape as the \u201cG-style\u201d.<\/p>\n\n\n\n

    \"An
    Chord shape for a \u201cG-style\u201d moveable chord.<\/figcaption><\/figure><\/div>\n\n\n\n

    As you can see, the root note for this chord shape<\/strong> is under our middle finger, on the 1st string<\/b> (the E string). So, if we place this moveable shape on the fingerboard with our middle finger (the red dot) on the 3rd fret of the E-string, we get a \u201cG\u201d chord.<\/p>\n\n\n\n

    Because the root is on the “E-string”, the notes on the 1st string<\/b> define, or name the chord<\/b>.<\/p>\n\n\n\n

    We don\u2019t usually want the 4th string to sound, so we try to mute the 4th string<\/b> with the fleshy part at the base of the thumb.<\/p>\n\n\n\n

    Moving the shape down a fret, so that our middle finger (the red dot) is on the second fret of the E-string, results in a \u201cGb\u201d chord. Also, if we slide it up so that the root is on the 4th fret of the E-string we get an \u201cG#\u201d or \u201cAb\u201d.<\/p>\n\n\n\n

    \u2022 5th fret \u2013 \u201cA\u201d
    \u2022 6th fret \u2013 \u201cA#\u201d or \u201cBb\u201d
    \u2022 7th fret \u2013 \u201cB\u201d
    \u2022 8th fret \u2013 \u201cC\u201d
    \u2022 9th fret \u2013 \u201cC#\u201d or \u201cDb\u201d
    \u2022 10th fret \u2013 \u201cD\u201d
    \u2022 etc\u2026<\/p>\n\n\n\n

    G-style Variations<\/h3>\n\n\n\n
    \"Variations
    Variations for the \u201cG-style\u201d moveable chord.<\/figcaption><\/figure><\/div>\n\n\n\n

    Here is another variation that frets the 4th string. This is the common \u201cG-style\u201d chop chord<\/b> and it\u2019s definitely one you should learn.<\/p>\n\n\n\n

    \"A
    \u201cG-style\u201d chop chord.<\/figcaption><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"

    Moveable chords are shapes that fret all the strings used in chord. They\u2019re a great way to expand your chord vocabulary and open up the fretboard.<\/p>\n","protected":false},"author":1,"featured_media":3305,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"full-width-content","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[56],"tags":[55],"class_list":["post-977","post","type-post","status-publish","format-standard","has-post-thumbnail","category-mandolin-chords","tag-chords","entry"],"yoast_head":"\nMoveable chords and diagrams for the mandolin - SimplyMandolin<\/title>\n<meta name=\"description\" content=\"Moveable chords are a great way to expand your chord vocabulary on the mandolin. 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