{"id":932,"date":"2017-02-25T12:59:53","date_gmt":"2017-02-25T18:59:53","guid":{"rendered":"http:\/\/simplymandolin.com\/?p=932"},"modified":"2022-03-30T11:55:34","modified_gmt":"2022-03-30T17:55:34","slug":"major-scale","status":"publish","type":"post","link":"https:\/\/simplymandolin.com\/flekd\/major-scale\/","title":{"rendered":"The Major Scale"},"content":{"rendered":"\n<div style=\"background-color:#ffffff\" class=\"wp-block-genesis-blocks-gb-container alignfull gb-block-container\"><div class=\"gb-container-inside\"><div class=\"gb-container-content\" style=\"max-width:1200px\">\n<div style=\"padding-left:4%;padding-right:4%;padding-bottom:5%\" class=\"wp-block-genesis-blocks-gb-container alignwide gb-block-container\"><div class=\"gb-container-inside\"><div class=\"gb-container-content\" style=\"max-width:960px\">\n<div class=\"wp-block-image is-style-default\"><figure class=\"alignleft size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"250\" src=\"https:\/\/simplymandolin.com\/media\/2022\/03\/gibson-f2.jpg\" alt=\"\" class=\"wp-image-3637\" srcset=\"https:\/\/simplymandolin.com\/media\/2022\/03\/gibson-f2.jpg 250w, https:\/\/simplymandolin.com\/media\/2022\/03\/gibson-f2-150x150.jpg 150w, https:\/\/simplymandolin.com\/media\/2022\/03\/gibson-f2-75x75.jpg 75w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><figcaption>1929 Gibson F2<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Essentially, the major scale is one of <strong>the most important scales in music<\/strong>. For that reason, I&#8217;ll be using lots of examples and repetition, because I want to do a thorough job of explaining the concept. As a result, this has turned into a fairly lengthy article.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"learning-scales\">Learning Scales<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">This lesson is intended to teach you how to find <strong>the major scale in any key<\/strong>. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I used to hate scales. I always felt like I\u2019d rather be playing a tune, or learning something new and musical as opposed to spending time practicing my scales. They always seemed kind of boring and uninteresting.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">However, if you <strong>learn how to build them<\/strong>, how to change them and how they can be used, you\u2019ll see a purpose.&nbsp; You\u2019ll find that you make use of that knowledge on a regular basis. You may even find it gets interesting!<\/p>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-container alignfull gb-block-container\"><div class=\"gb-container-inside\"><div class=\"gb-container-content\" style=\"max-width:1200px\">\n<div style=\"padding-left:4%;padding-right:4%\" class=\"wp-block-genesis-blocks-gb-container alignwide gb-block-container\"><div class=\"gb-container-inside\"><div class=\"gb-container-content\" style=\"max-width:960px\">\n<h3 class=\"wp-block-heading\" id=\"the-major-scale\">The Major Scale<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The major scale is the <strong>most important scale you\u2019ll learn<\/strong>. A little knowledge about it is essential, no matter what instrument you might be learning. And that knowledge, along with a little theory, will <strong>open up a lot of musical possibilities<\/strong>, such as:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>how to build chords<\/strong> \u2013 how to form a triad, how to turn a major chord into a minor, how to build compound chords (major 7ths, dominant 7ths, 9ths, 13ths, etc.)<\/li><li>how to <strong>find different notes and chords most commonly used<\/strong> in any particular key.<\/li><li>the use of partial scales, different scale sequences and arpeggios as one of your <strong>tools for improvisation<\/strong>.<\/li><li>how to form double stops, <strong>learn harmonization<\/strong><\/li><li>how to <strong>transpose a tune to a different key<\/strong>.<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">What Else?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Not only that, but physically practicing scale patterns and sequences on your mandolin (or any instrument) has many advantages as well:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>It can help <strong>develop your ear<\/strong>. You\u2019ll learn to recognize the different pitches associated with the individual keys.<\/li><li>You\u2019ll improve your technique &#8211; develop <strong>better string attack<\/strong> and <strong>improved sound quality and tone<\/strong> from your instrument.<\/li><li>It can help with relaxation and improve overall <strong>control and economy of motion<\/strong>.<\/li><li>It\u2019ll help develop your hands, c<strong>orrect finger movement<\/strong>, improved coordination and finger strength.<\/li><li>It\u2019s very <strong>good position exercise<\/strong>, and a great way to get better acquainted with your fingerboard.<\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Learning scales doesn\u2019t have to be an exercise in memorization. Although certain things do have to be committed to memory, you don\u2019t need to memorize every scale.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Scale Patterns<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">By learning a simple interval pattern you\u2019ll be able to <strong>figure out any major scale<\/strong>. From any major scale, you can <strong>build minor and pentatonic scales<\/strong>. Many scales are derived from the major scale, or at least explained and learned in terms of how they differ from that pattern.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">So\u2026 if I\u2019ve managed to talk you into a little scale study, let\u2019s take a look at how to build a major scale.<\/p>\n\n\n\n<div style=\"background-color:#3787d6;padding-left:5%;padding-right:5%;padding-bottom:3%;padding-top:3%;margin-bottom:5%\" class=\"wp-block-genesis-blocks-gb-container alignwide gb-block-container\"><div class=\"gb-container-inside\"><div class=\"gb-container-content\" style=\"max-width:750px\">\n<p class=\"has-text-align-center has-white-color has-text-color wp-block-paragraph\">You will need to know what \u201cwhole tones\u201d and \u201chalf tones\u201d are. It\u2019s important to know the names of all the notes and understand their order and position in relationship to each other. You should understand which notes are \u201cenharmonic\u201d, and what an octave is. And, you should be able to figure out the interval (distance) between each note in tones and semitones (half tones). If you need help with any of this, go back and read the article \u201c<a href=\"https:\/\/simplymandolin.com\/flekd\/music-theory-absolute-basics\/\">The Absolute Basics of Music Theory<\/a>\u201d.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">So, if you&#8217;re good with all that, let&#8217;s move on&#8230;<\/p>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-container alignfull gb-block-container\"><div class=\"gb-container-inside\"><div class=\"gb-container-content\" style=\"max-width:1200px\">\n<div style=\"padding-left:4%;padding-right:4%\" class=\"wp-block-genesis-blocks-gb-container alignwide gb-block-container\"><div class=\"gb-container-inside\"><div class=\"gb-container-content\" style=\"max-width:960px\">\n<h2 class=\"wp-block-heading\">Major Scales Rule!<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">We\u2019ll start with a quick look at a few rules for an ascending major scale:<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>The first note of the scale will be the note that the scale is named for. In other words, the first note of the C major scale will be a C, the first note of the G major scale will be a G, etc..&nbsp; The <strong>first note of the scale is called the \u201ctonic\u201d<\/strong>.<\/li><li>Starting with the tonic, <strong>each letter of the musical alphabet must be used once, in alphabetical order<\/strong>. Whether it\u2019s used as a natural, a sharp or a flat, each individual letter can only be used once. This means that if you have a C, you can\u2019t have a C#, or if you have an F#, you can\u2019t also have an F. This will result in seven notes because there are only seven letters in the musical alphabet.<br>Eg. <strong>C &#8211; D &#8211; E &#8211; F &#8211; G &#8211; A \u2013 B<\/strong><\/li><li>Finally, we\u2019re going to add another note to the end of the scale. This note will be the same as the \u201ctonic\u201d , only an octave higher (Actually, it\u2019s the start of the next octave of that scale). Hence, that <strong>eighth note is called the \u201coctave\u201d<\/strong>.&nbsp; When we write the major scale, or play the scale, it\u2019s usually described from tonic to octave.<\/li><\/ol>\n\n\n\n<p class=\"wp-block-paragraph\">So, now we have a major scale with 8 notes. It looks like this:<\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\"><strong>I&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;II &nbsp;&nbsp;&nbsp; &nbsp;III&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;IV&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;V&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;VI&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;VII&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;VIII<\/strong><br><strong> C &nbsp;&nbsp;&nbsp; &nbsp;D &nbsp;&nbsp;&nbsp; &nbsp;E&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;F&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;G&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;A&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;B&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;C<\/strong><\/p>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"what-s-with-the-roman-numerals-up-top\"><strong>What\u2019s with the Roman Numerals up top?<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">At a later time we\u2019ll look at them a little differently, but at this point, we\u2019re basically just numbering the notes in the scale. The first note in the C major scale is a C, the third note is an E and the fifth is a G.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Actually, in music lingo <strong>they\u2019re called degrees<\/strong>. We think of the <strong>first, second or third degree of a scale<\/strong>. For instance, in the example above, the seventh degree of the C major scale is a B note. Normally, we\u2019ll leave the word \u201cdegree\u201d off, and just say the seventh, or the fifth, etc.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">So in the C major scale, the tonic is a C, the fourth is an F, and the fifth is a G.<br>Make sense?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">OK. <a href=\"https:\/\/simplymandolin.com\/flekd\/major-scale\/2\/\">On the next page<\/a>, we&#8217;ll take a closer look at the intervals in the C major scale, and see if we can figure out a pattern.<\/p>\n\n\n\n<p class=\"has-larger-font-size wp-block-paragraph\"><a href=\"https:\/\/simplymandolin.com\/flekd\/major-scale\/2\/\">Page 2&#8230;<\/a><\/p>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div style=\"background-color:#333333\" class=\"wp-block-genesis-blocks-gb-container alignfull gb-block-container\"><div class=\"gb-container-inside\"><div class=\"gb-container-content\" style=\"max-width:1200px\">\n<div style=\"padding-left:4%;padding-right:4%;padding-bottom:3%;padding-top:3%\" class=\"wp-block-genesis-blocks-gb-container alignwide gb-block-container\"><div class=\"gb-container-inside\"><div class=\"gb-container-content\" style=\"max-width:960px\">\n<hr class=\"wp-block-separator has-text-color has-background has-white-background-color has-white-color is-style-dots\"\/>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<!--nextpage-->\n\n\n\n<div style=\"margin-top:5%\" class=\"wp-block-genesis-blocks-gb-container alignfull gb-block-container\"><div class=\"gb-container-inside\"><div class=\"gb-container-content\" style=\"max-width:1200px\">\n<div style=\"padding-left:4%;padding-right:4%\" class=\"wp-block-genesis-blocks-gb-container alignwide gb-block-container\"><div class=\"gb-container-inside\"><div class=\"gb-container-content\" style=\"max-width:960px\">\n<h2 class=\"wp-block-heading\">The C Major Scale<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Now you know the C major scale. It\u2019s easy to remember because it\u2019s the only major scale without any sharps or flats. So that\u2019s the scale we\u2019re going to use to discover the major scale formula or pattern. If you ever forget the formula for a major scale, just write out the C major scale and you can work it out just like we\u2019re going to do now.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Here is the C major scale again.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>I&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;II &nbsp;&nbsp;&nbsp; &nbsp;III&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;IV&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;V&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;VI&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;VII&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;VIII<\/strong><br><strong> C &nbsp;&nbsp;&nbsp; &nbsp;D &nbsp;&nbsp;&nbsp; &nbsp;E&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;F&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;G&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;A&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;B&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;C<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"let-s-check-our-rules\">Let\u2019s check our rules<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">It\u2019s a major scale in the key of C, so the first note (tonic) is C. We can see that every letter of the musical alphabet is used. They\u2019re in alphabetical order and each letter appears only once. The eighth is the same as the tonic, only an octave higher.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">OK, so it meets all the rules! Let\u2019s see where the C major scale fits in among all the notes in chromatic order, and we\u2019ll work backward to find the formula.<\/p>\n\n\n\n<div class=\"wp-block-image wp-image-942 size-full is-style-default\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"589\" height=\"142\" src=\"http:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_1.png\" alt=\"The C Major Scale - an image used to represent the intervals between notes in the C major scale.\" class=\"wp-image-942\" srcset=\"https:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_1.png 589w, https:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_1-300x72.png 300w\" sizes=\"auto, (max-width: 589px) 100vw, 589px\" \/><figcaption>Diagram 1 &#8211; The C Major Scale<\/figcaption><\/figure><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Figure Out a Major Scale Pattern<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Let\u2019s look at the interval between each note. Because it\u2019s the C major scale, we start on the C note (tonic).<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>The scale starts on C (tonic)<\/li><li>From C to D is a \u201c<strong>Whole Tone<\/strong>\u201d (2 half tones).<\/li><li>D to E is a \u201c<strong>Whole Tone<\/strong>\u201d.<\/li><li>E to F is a \u201c<strong>Half Tone<\/strong>\u201d.<\/li><li>From F to G is a \u201c<strong>Whole Tone<\/strong>\u201d.<\/li><li>G to A is a \u201c<strong>Whole Tone<\/strong>\u201d.<\/li><li>A to B is a \u201c<strong>Whole Tone<\/strong>\u201d.<\/li><li>and from B to C is a \u201c<strong>Half Tone<\/strong>\u201d.<\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">And that gives us our formula, or pattern, for a major scale:<br><strong>Whole tone, Whole tone, Half tone, Whole tone, Whole tone, Whole tone, Half tone<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">More commonly written as:&nbsp; <strong>W &#8211; W &#8211; H &#8211; W &#8211; W &#8211; W &#8211; H<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Each fret on your mandolin is a half step. If you think of the major scale pattern in terms of frets on your mandolin, then it\u2019s 2 frets, 2 frets, 1 fret, 2 frets, 2 frets, 2 frets, 1 fret. \u2013 or&nbsp; <strong>2 2 1 2 2 2 1<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Just like a phone number : <strong>221-2221<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pretty easy, huh?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">So, lets try to put that formula to use!<\/p>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div style=\"color:#ddd\" class=\"wp-block-genesis-blocks-gb-spacer gb-block-spacer gb-divider-solid gb-divider-size-1\"><hr style=\"height:30px\"\/><\/div>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-container alignfull gb-block-container\"><div class=\"gb-container-inside\"><div class=\"gb-container-content\" style=\"max-width:1200px\">\n<div style=\"padding-left:4%;padding-right:4%\" class=\"wp-block-genesis-blocks-gb-container alignwide gb-block-container\"><div class=\"gb-container-inside\"><div class=\"gb-container-content\" style=\"max-width:960px\">\n<h2 class=\"wp-block-heading\" id=\"g-major-scale\">The G-Major Scale<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Let\u2019s try to build the G major scale.<br>We know the first degree (or the tonic) of the G major scale is going to be a \u201cG\u201d note, so that\u2019s where we\u2019ll start. I\u2019ll start with G and write out all the notes in the octave until I get to the next G.<\/p>\n\n\n\n<div class=\"wp-block-image size-full wp-image-944 is-style-default\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"590\" height=\"62\" src=\"http:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_2.png\" alt=\"An image depicting a full musical octave starting from G.\" class=\"wp-image-944\" srcset=\"https:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_2.png 590w, https:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_2-300x32.png 300w\" sizes=\"auto, (max-width: 590px) 100vw, 590px\" \/><figcaption>Diagram 2 &#8211; A full octave starting from G.<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">So, the tonic is G. Let\u2019s apply the pattern from there:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>W \u2013 a<strong> whole step<\/strong> (2 half steps) up from G is A. The second (II) is A.<\/li><li>W \u2013 a<strong> whole step<\/strong> (2 half steps) up from A is B. So the third degree (III) of the G major scale is B.<\/li><li>H \u2013 a<strong> half step up<\/strong> from B is C.&nbsp; The fourth (IV) is C.<\/li><li>W \u2013 if we move a<strong> whole step<\/strong> up from C, we get a D. The fifth (V) is a D.<\/li><li>W \u2013 another <strong>whole step<\/strong> up gives us an E. The sixth (VI) is E.<\/li><li>W \u2013 one more <strong>whole step<\/strong> up from E is F#. The seventh (VII) of the G major scale is F#.<\/li><li>H \u2013 a <strong>half step<\/strong> up from F# gives us another G. The eighth (VIII), is another G, one octave above the tonic.<\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">So, using our major scale pattern, we find that the G major scale has 1 sharp. The seventh (VII) is an F#.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The G major scale looks like this:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;II &nbsp;&nbsp;&nbsp; &nbsp;III&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;IV&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;V&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;VI&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;VII&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;VIII<br>G &nbsp;&nbsp;&nbsp; &nbsp;A &nbsp;&nbsp;&nbsp; &nbsp;B&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;C&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;D&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;E&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;F#&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;G<\/p>\n\n\n\n<div style=\"color:#ddd\" class=\"wp-block-genesis-blocks-gb-spacer gb-block-spacer gb-divider-solid gb-divider-size-1\"><hr style=\"height:30px\"\/><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Lets check out our rules!<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">It\u2019s a major scale in the key of G, so the first note (tonic) is G. Every letter is used in alphabetical order and each one appears only once. The eighth is the same as the tonic, only an octave higher.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Here\u2019s what it looks like on our diagram:<\/p>\n\n\n\n<div class=\"wp-block-image size-full wp-image-945 is-style-default\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"589\" height=\"142\" src=\"http:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_3.png\" alt=\"an image depicting the intervals and notes in the G major scale.\" class=\"wp-image-945\" srcset=\"https:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_3.png 589w, https:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_3-300x72.png 300w\" sizes=\"auto, (max-width: 589px) 100vw, 589px\" \/><figcaption>Diagram 3 &#8211; The G Major Scale<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Let&#8217;s look at the fret spacing used to build the G major scale on the mandolin. We&#8217;ll use the fourth string because it&#8217;s tuned to G. So, the open string will give us our Tonic (G). The tonic and the octave are displayed in red.<\/p>\n\n\n\n<div class=\"wp-block-image size-full wp-image-955 is-style-default\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"618\" height=\"155\" src=\"http:\/\/simplymandolin.com\/media\/2017\/02\/fretboard-G.png\" alt=\"an image showing the intervals in the A Major scale, on the second string of the mandolin.\" class=\"wp-image-955\" srcset=\"https:\/\/simplymandolin.com\/media\/2017\/02\/fretboard-G.png 618w, https:\/\/simplymandolin.com\/media\/2017\/02\/fretboard-G-300x75.png 300w\" sizes=\"auto, (max-width: 618px) 100vw, 618px\" \/><figcaption>Diagram 4a &#8211; The G major scale on the fourth string of the mandolin<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Try building the A major scale yourself<\/strong> with the pattern you&#8217;ve just learned, then move on <a href=\"https:\/\/simplymandolin.com\/flekd\/major-scale\/3\/\">the the next page<\/a> to check your work.<\/p>\n\n\n\n<p class=\"has-larger-font-size wp-block-paragraph\"><a href=\"https:\/\/simplymandolin.com\/flekd\/major-scale\/3\/\">Page 3&#8230;<\/a><br><br><\/p>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<!--nextpage-->\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-container alignfull gb-block-container\"><div class=\"gb-container-inside\"><div class=\"gb-container-content\" style=\"max-width:1200px\">\n<div style=\"padding-left:4%;padding-right:4%\" class=\"wp-block-genesis-blocks-gb-container alignwide gb-block-container\"><div class=\"gb-container-inside\"><div class=\"gb-container-content\" style=\"max-width:960px\">\n<h1 class=\"wp-block-heading\">The A-Major Scale<\/h1>\n\n\n\n<p class=\"wp-block-paragraph\">The next scale we\u2019ll build is the A major scale. The tonic will be A, so we\u2019ll write out all the notes in the octave starting from A.<\/p>\n\n\n\n<div class=\"wp-block-image size-full wp-image-947 is-style-default\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"590\" height=\"63\" src=\"http:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_4.png\" alt=\"an image depicting a full musical octave starting from A.\" class=\"wp-image-947\" srcset=\"https:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_4.png 590w, https:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_4-300x32.png 300w\" sizes=\"auto, (max-width: 590px) 100vw, 590px\" \/><figcaption>Diagram 4 &#8211; A full octave starting from A<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Apply the major scale pattern of intervals:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Tonic<\/strong> is A<\/li><li><strong>Whole tone<\/strong> \u2013 B<\/li><li><strong>Whole tone<\/strong> \u2013 C#<\/li><li><strong>Half tone<\/strong> \u2013 D<\/li><li><strong>Whole tone<\/strong> \u2013 E<\/li><li><strong>Whole tone<\/strong> \u2013 F#<\/li><li>another<strong> Whole tone<\/strong> \u2013 G#<\/li><li><strong>Half tone<\/strong> \u2013 A<\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">By starting on the tonic (A) and applying the pattern for the major scale, we find that the A major scale has three sharps \u2013 the third is C#, the sixth is F#, and the seventh is G#. Those named notes were chosen because we have to use all letters of the musical alphabet.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Here\u2019s what it looks like.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;II &nbsp;&nbsp;&nbsp; &nbsp;III&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;IV&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;V&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;VI&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;VII&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;VIII<br>A &nbsp;&nbsp;&nbsp; &nbsp;B &nbsp;&nbsp;&nbsp; &nbsp;C#&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;D&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;E&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;F#&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;G#&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;A<\/p>\n\n\n\n<div class=\"wp-block-image size-full wp-image-949 is-style-default\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"589\" height=\"142\" src=\"http:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_5.png\" alt=\"an image showing the intervals and notes in the A major scale.\" class=\"wp-image-949\" srcset=\"https:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_5.png 589w, https:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_5-300x72.png 300w\" sizes=\"auto, (max-width: 589px) 100vw, 589px\" \/><figcaption>Diagram 5 &#8211; The A Major Scale<\/figcaption><\/figure><\/div>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"let-s-check-our-rules\"><strong>Let\u2019s check our rules.<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">It\u2019s a major scale in the key of A, so the first note (tonic) is A. Every letter is used. They\u2019re in alphabetical order and each one is only used in one form. The eighth is the same as the tonic, only an octave higher.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">It meets all our rules.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Let&#8217;s look at the fret spacing used to build the A major scale on the mandolin. We&#8217;ll use the second string because it&#8217;s tuned to A. So, the open string will give us our Tonic (A). The tonic and the octave are colored red in the diagram.<\/p>\n\n\n\n<div class=\"wp-block-image size-full wp-image-957 is-style-default\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"617\" height=\"151\" src=\"http:\/\/simplymandolin.com\/media\/2017\/02\/fretboard-A.png\" alt=\"an image showing the intervals in the A Major scale, on the second string of the mandolin.\" class=\"wp-image-957\" srcset=\"https:\/\/simplymandolin.com\/media\/2017\/02\/fretboard-A.png 617w, https:\/\/simplymandolin.com\/media\/2017\/02\/fretboard-A-300x73.png 300w\" sizes=\"auto, (max-width: 617px) 100vw, 617px\" \/><figcaption>Diagram 5a &#8211; The A major scale on the second string of the mandolin<\/figcaption><\/figure><\/div>\n\n\n\n<div style=\"color:#ddd\" class=\"wp-block-genesis-blocks-gb-spacer gb-block-spacer gb-divider-solid gb-divider-size-1\"><hr style=\"height:30px\"\/><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Again!<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Now, stop here for a moment, and try building an F major scale on your own. When you&#8217;re finished, move on to the next chapter to check your work.<\/p>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-container alignfull gb-block-container\"><div class=\"gb-container-inside\"><div class=\"gb-container-content\" style=\"max-width:1200px\">\n<div style=\"padding-left:4%;padding-right:4%\" class=\"wp-block-genesis-blocks-gb-container alignwide gb-block-container\"><div class=\"gb-container-inside\"><div class=\"gb-container-content\" style=\"max-width:960px\">\n<h1 class=\"wp-block-heading\">F-Major Scale<\/h1>\n\n\n\n<p class=\"wp-block-paragraph\">The F-Major Scale is just a little bit different because the fourth is flat, but if you follow all three rules for a major scale, there shouldn\u2019t be a problem.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Here\u2019s what the octave looks like starting from F.<\/p>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"589\" height=\"62\" src=\"http:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_6.png\" alt=\"an image representing a musical octave starting from F\" class=\"wp-image-952\" srcset=\"https:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_6.png 589w, https:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_6-300x32.png 300w\" sizes=\"auto, (max-width: 589px) 100vw, 589px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">So let\u2019s use our major scale pattern:<br>W \u2013 W \u2013 H \u2013 W \u2013 W \u2013 W \u2013 H<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The tonic is F. Then we go up a whole step to G. Another whole step takes us to the third, which is an A.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Now we have to move up a half step to the fourth (IV). Our choices are A# or Bb. The two notes are enharmonic. In other words, they\u2019re the same note. Which one will we use?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Every letter of the musical alphabet is to be used in order.&nbsp; \u201cA\u201d was just used, so the logical choice will be the Bb. Also, each letter can only be used once, and we\u2019ve already used an A, so the A# is out.<br>So Bb it is!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">After the Bb (IV), we go a whole step up to the fifth \u2013 C.<br>Another whole step to the sixth \u2013 D.<br>Another whole step up to the seventh \u2013 E.<br>Then a half step up to the eighth, or octave &#8211; F.<br>That completes our major scale pattern.<\/p>\n\n\n\n<div class=\"wp-block-image size-full wp-image-953 is-style-default\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"589\" height=\"142\" src=\"http:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_7.png\" alt=\"an image showing the intervals and notes in the F major scale.\" class=\"wp-image-953\" srcset=\"https:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_7.png 589w, https:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_7-300x72.png 300w\" sizes=\"auto, (max-width: 589px) 100vw, 589px\" \/><figcaption>Diagram 7 &#8211; The F Major Scale<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Here\u2019s the F-Major scale.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;II &nbsp;&nbsp;&nbsp; &nbsp;III&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;IV&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;V&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;VI&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;VII&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;VIII<br>F &nbsp;&nbsp;&nbsp; &nbsp;G &nbsp;&nbsp;&nbsp; &nbsp;A&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;Bb&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;C&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;D&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;E&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;F<\/p>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"let-s-check-our-rules\"><strong>Let\u2019s check our rules<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">It\u2019s a major scale in the key of F, so the first note (tonic) is F.<br>Each letter is used in alphabetical order and each one appears only once. The eighth is the same as the tonic, only an octave higher.<br>\u2013&nbsp;&nbsp; &nbsp;Check! We\u2019ve followed the rules!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">We don&#8217;t have a string on the mandolin tuned to F, so let&#8217;s use the first string to look at the F major scale. It&#8217;s tuned to E, so we have to place our finger on the first fret to get the Tonic (F). From there, the pattern remains the same &#8211; 2 frets, 2 frets, 1 fret, 2 frets, 2 frets, 2 frets, 1 fret. (221-2221).<\/p>\n\n\n\n<div class=\"wp-block-image size-full wp-image-956 is-style-default\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"613\" height=\"150\" src=\"http:\/\/simplymandolin.com\/media\/2017\/02\/fretboard-F.png\" alt=\"an image showing the intervals in the F Major scale, on the first string of the mandolin.\" class=\"wp-image-956\" srcset=\"https:\/\/simplymandolin.com\/media\/2017\/02\/fretboard-F.png 613w, https:\/\/simplymandolin.com\/media\/2017\/02\/fretboard-F-300x73.png 300w\" sizes=\"auto, (max-width: 613px) 100vw, 613px\" \/><figcaption>Diagram 7a &#8211; The F major scale on the 1st string of the mandolin<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">By now you should be getting the idea. You should be able to apply this pattern to build a major scale in any key.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">But, read the next chapter before you give it a try! You might find some bumps in the road.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/simplymandolin.com\/flekd\/major-scale\/4\/\">On the next page<\/a>, you may find out that some folks just don&#8217;t want to play by the rules!<\/p>\n\n\n\n<p class=\"has-larger-font-size wp-block-paragraph\"><a href=\"https:\/\/simplymandolin.com\/flekd\/major-scale\/4\/\">Page 4&#8230;<\/a><\/p>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<!--nextpage-->\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-container alignfull gb-block-container\"><div class=\"gb-container-inside\"><div class=\"gb-container-content\" style=\"max-width:1200px\">\n<div style=\"padding-left:4%;padding-right:4%\" class=\"wp-block-genesis-blocks-gb-container alignwide gb-block-container\"><div class=\"gb-container-inside\"><div class=\"gb-container-content\" style=\"max-width:960px\">\n<h1 class=\"wp-block-heading\">Some Major Scales Just Ain&#8217;t Natural!<\/h1>\n\n\n\n<p class=\"wp-block-paragraph\">We\u2019ve only looked at some of the natural notes so far. The natural notes are A, B, C, D, E, F, and G. The other 5 notes have two names. They can be either sharp or flat.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Here\u2019s the thing, <strong>we\u2019re only going to use flats<\/strong> as the tonic for those major scales. That means the other 5 major scales are going to be <strong>Bb, Eb, Ab, Db, and Gb.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Why? Because their enharmonic counterparts (the sharps) don\u2019t follow the rules.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As an example, let\u2019s try to apply the pattern to one. We\u2019ll try \u201cA#\u201d.<\/p>\n\n\n\n<div class=\"wp-block-image size-full wp-image-958 is-style-default\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"591\" height=\"60\" src=\"http:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_8.png\" alt=\"an image depicting a musical octave starting from A sharp.\" class=\"wp-image-958\" srcset=\"https:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_8.png 591w, https:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_8-300x30.png 300w\" sizes=\"auto, (max-width: 591px) 100vw, 591px\" \/><figcaption>Diagram 8 \u2013 A Full Octave (starting from A#)<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">We start on the tonic (A#) and apply the pattern.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As you can see, a whole step up from A# is C. But the rules say we have to use every letter in alphabetical order so we need a B. Ok, we could call it B#. We could get away with that. But, another whole step up from B# is a D and we need a C! You can see the problem right away.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Although the notes are correct, the names are not going to fit our rules. And, trying to write or read the musical notation would be very confusing.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Bb-Major Scale<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">But, let\u2019s look at the enharmonic counterpart. Bb is the same note as A#, so let\u2019s see what Bb looks like.<\/p>\n\n\n\n<div class=\"wp-block-image size-full wp-image-959 is-style-default\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"590\" height=\"63\" src=\"http:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_9.png\" alt=\"an image representing a musical octave starting from B flat.\" class=\"wp-image-959\" srcset=\"https:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_9.png 590w, https:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_9-300x32.png 300w\" sizes=\"auto, (max-width: 590px) 100vw, 590px\" \/><figcaption>Diagram 9 \u2013 A Full Octave (starting from Bb)<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">The first (tonic) will be <strong>Bb<\/strong>. Apply the pattern from there:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>W \u2013 a <strong>whole step<\/strong> (2 half steps) up from Bb is C. The second (II) is <strong>C<\/strong>. <\/li><li>W \u2013 a <strong>whole step<\/strong> up from C is D. The third degree (III) of the Bb major scale is <strong>D<\/strong>. <\/li><li>H \u2013 a <strong>half step<\/strong> up from D is Eb.&nbsp; The fourth (IV) is <strong>Eb<\/strong>. <\/li><li>W \u2013 if we move a <strong>whole step<\/strong> up from Eb, we get an F. The fifth (V) is <strong>F<\/strong>. <\/li><li>W \u2013 another <strong>whole step<\/strong> up gives us an G. The sixth (VI) is <strong>G<\/strong>. <\/li><li>W \u2013 two half steps (<strong>whole step<\/strong>)up from G is A. The seventh (VII) of the Bb major scale is <strong>A<\/strong>. <\/li><li>H \u2013 a <strong>half step<\/strong> up from A gives us another Bb. The eighth (VIII), is another <strong>Bb<\/strong>, one octave above the tonic.<\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Here\u2019s an illustration of the Bb scale.<\/p>\n\n\n\n<div class=\"wp-block-image size-full wp-image-961 is-style-default\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"589\" height=\"142\" src=\"http:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_10.png\" alt=\"an image showing the intervals and notes in the B flat major scale.\" class=\"wp-image-961\" srcset=\"https:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_10.png 589w, https:\/\/simplymandolin.com\/media\/2017\/02\/scalediag_10-300x72.png 300w\" sizes=\"auto, (max-width: 589px) 100vw, 589px\" \/><figcaption>Diagram 10 \u2013 The Bb Major Scale<\/figcaption><\/figure><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">So that works.<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">It meets all our rules. All the flats will work to name major scales, but the sharps, not so friendly.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I\u2019m not saying that there is no such thing as a D#, or a G#, or an A#-Major scale, because there is! We know those notes are correct. But, they\u2019re almost impossible to write out, especially in music notation. So we stick with the flats to name those scales.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Here are all the major scales for you to consider:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A<strong>\u2013B\u2013C\u2013D\u2013E\u2013F\u2013G\u2013Bb\u2013Eb\u2013Ab-Db-Gb<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Something to think about&#8230;<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">You\u2019re going to get to some keys like Gb, and find that, to meet our rules for a major scale, the fourth degree of that scale needs to be a Cb. That\u2019s the same as a B note. Could that be a mistake?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Then you&#8217;re going to say, \u201cWhat\u2019s up? You said there\u2019s no such thing as a C-flat or a B-sharp\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Well\u2026 actually, <strong>I didn\u2019t say that.<\/strong> You must have heard it somewhere else.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">What I did say is that there is only a half step between B and C, and a half step between E and F. And, there\u2019s no sharp or flat in between those notes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I also stated that <strong>any note could be made sharp or flat.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">While it\u2019s not that common, you may see the odd Cb or E# etc.. In written music you may also come across a double sharp (##), or a double flat (bb). Not wrong, just not that common. If you happen to see a double sharp or a double flat, just raise or lower the note by 2 half steps.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">So it\u2019s not a mistake \u2013 The Gb major scale does have a Cb.<br><strong>Surprise!!<\/strong><\/p>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-container alignfull gb-block-container\"><div class=\"gb-container-inside\"><div class=\"gb-container-content\" style=\"max-width:1200px\">\n<div style=\"padding-left:4%;padding-right:4%\" class=\"wp-block-genesis-blocks-gb-container alignwide gb-block-container\"><div class=\"gb-container-inside\"><div class=\"gb-container-content\" style=\"max-width:960px\">\n<h1 class=\"wp-block-heading\">So that&#8217;s the Major Scale<\/h1>\n\n\n\n<p class=\"wp-block-paragraph\">If you break this lesson down to just the main points, all we really learned here was a simple pattern, and how to apply it to musical notes to build a major scale. However, it\u2019s an important concept, and as I explained in the beginning paragraphs, there are a lot of places to go from here.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I don\u2019t imagine that the exercise for this lesson is any surprise.<br>Try writing out all 12 major scales. Check each one and make sure it follows our rules for a Major Scale.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">When you\u2019re comfortable with it, you should be ready to apply that knowledge in the next lesson.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Review<\/h2>\n\n\n\n<ol class=\"wp-block-list\"><li>A major scale is a diatonic scale. It has seven pitches per octave, separated by 5 tones and 2 semitones.<\/li><li>Many scales are derived from the major scale, or at least explained and learned in terms of how they differ from that pattern.<\/li><li>The first note of a major scale is called the tonic, and it\u2019s the note that the scale is named for. In other words, the first letter (or tonic) of the F major scale is F.<\/li><li>In any major scale, each letter of the musical alphabet can only be used once.<\/li><li>We add a note to the end of the scale that is the same as the tonic, only an octave higher. It&#8217;s called the octave.<\/li><li>Each position in a scale is called a degree. The second note is the second degree of the scale, the next is the 3rd degree, etc. We usually leave off the word degree, and just say the second, the third or the fourth etc.<\/li><li>The C major scale is the only major scale without any sharps or flats. It uses all the natural notes in order starting with the tonic C.<br>C &#8211; D &#8211; E &#8211; F &#8211; G &#8211; A &#8211; B &#8211; C<\/li><li>The pattern for a major scale is whole tone, whole tone, half tone, whole tone, whole tone, whole tone, half tone. W-W-H-W-W-W-H<\/li><li>There are 12 major scales. The 7 naturals are A major, B major, C major, D major, E major, F major and G major.<\/li><li>The major scales that are not naturals are Bb major, Eb major, Ab major, Db major and Gb major.<\/li><\/ol>\n\n\n\n<p class=\"wp-block-paragraph\">So, <strong>good luck with that!<\/strong> When you&#8217;re comfortable with the Major Scale, the next logical step is to take a look at <a href=\"https:\/\/simplymandolin.com\/the-minor-scale\/\"><strong>the minor scale.<\/strong><\/a><\/p>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div style=\"background-color:#0073e5;padding-bottom:1%;padding-top:2%;margin-bottom:3%\" class=\"wp-block-genesis-blocks-gb-container alignfull gb-block-container\"><div class=\"gb-container-inside\"><div class=\"gb-container-content\" style=\"max-width:1200px\">\n<div style=\"background-color:#0073e5;padding-left:2%;padding-right:2%;padding-top:4%\" class=\"wp-block-genesis-blocks-gb-container gb-block-container\"><div class=\"gb-container-inside\"><div class=\"gb-container-content\" style=\"max-width:600px\">\n<h2 class=\"has-text-align-center has-white-color has-text-color wp-block-heading\" id=\"the-mailing-list\" style=\"font-size:40px\"> Don&#8217;t Miss a Beat!<\/h2>\n\n\n\n<p class=\"has-text-align-center has-white-color has-text-color has-normal-font-size wp-block-paragraph\">Join our mailing list for new tabs, practice ideas and study material.<br>Keep informed of new projects. 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