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old time

Cripple Creek

May 16, 2018 by Cy...

an image representing cripple creek.

Just a creek somewhere…

Cripple Creek, without a doubt, has got to be the most recognizable bluegrass tune ever written. It seems like everyone that has even briefly explored the genre is familiar with the melody.

I think the first solo I learned to pick on the 5-string banjo in Scruggs-style was Cripple Creek. And later, when I was trying to learn melodic banjo, I believe it was probably the first solo I learned in that style as well. There are a lot of bluegrass books and instructional media that feature this simple melody for beginners. It seems like it’s everybody’s first bluegrass tune. Yet, I’ve got to admit, I don’t think I’ve ever tried to play it on the mandolin before.

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The Tune

The tab I’ve put together here is probably not exactly a beginner’s version, but it is a simple tune and shouldn’t present too many problems. As with any tune, learn it measure by measure and go slowly.

Listen to “Cripple Creek” for mandolin

imag of Mandolin tab & music for the bluegrass tune "Cripple Creek".
Mandolin tab & music for the bluegrass tune “Cripple Creek”.

Downloads:

.Tab & Music
.Just the Tab
.Just the Music
Make a donation to SimplyMandolin at https://www.paypal.com/donate/?hosted_button_id=6T4RDDANKE8PN

If you feel you can help support this site with the donation of a dollar or two, It would be very much appreciated…

If you don’t wish to donate at this time, I totally understand – Enjoy!

Moveable Patterns

Cripple Creek – revisited

I received an email from a mandolin player visiting the site. He didn’t tell me where he was from, but he did say he would like to see a ‘closed-position’ version of Cripple Creek. So, I decided to rework this post a little. Thanks for the suggestion Harold.

The original version shown above on this page is played in first position, using open strings in some places. Its a good sound, and it offers a little more sustain to the notes. But, if you wanted to shift it to a different key, it could take a while to figure out.

We can play the same thing up the neck in a closed position (not using any open strings). As a result, we end up with a recognizable pattern that we can move to other keys. The new arrangement may differ slightly from the original, because a few changes have been made to accommodate the new position. Let’s take a look!

The version you learned above is in the key of A, and the very first note is a slide to the ‘A-note’ on the 5th fret of the first string.

Closed Position

That very same A-note can be found on the 12th fret of the second string. Therefore, we can do almost the same thing by sliding into that high A-note on the second string. If we don’t use any open strings, the first phrase might look something like this:

First phrase – Cripple Creek – Key of A

Play this first phrase several times, and get the pattern under your fingers. Then, move it up two frets by sliding into the ‘B’ at the 14th fret, and play the exact same pattern, only 2 frets higher. You’ll use the same fingers, on the same strings (just 2 frets higher up the neck.

First phrase – Cripple Creek – Key of B

We’ve just transposed the tune from A Major to B Major, but the fingering pattern remains exactly the same!


Key of G?

So now, 2 frets down from our ‘12th fret A’ (towards the peg head), we have a ‘G’ (10th fret, second string). If we slide into that G-note and play the same pattern in that new position, then we’ll be playing the tune in the Key of G.

Cripple Creek – Key of G

Necessary Changes

It is often necessary to make simple changes to any pattern to accommodate for position. As an example, let’s say we want to play in a higher key that starts on the first string, like ‘D’. We don’t have another string to move to for that following note, like we did in the previous examples. But, if we slide into that ‘D’ (first string 10th fret) with our ring finger, we can find that ‘E note’ two frets higher, with our pinky finger. The rest of the pattern remains exactly the same (one string over).

First phrase of Cripple Creek – Key of D

So, we’ve looked at a ‘closed-position’ pattern for the first phrase of Cripple Creek, and moved it from the key of A, to G, B and D. The rest of the melody is tabbed out for you in the download.

cripplecreek-clsd-aDownload

Working phrase by phrase, learn the entire pattern in the key of ‘A’. Then, try moving it around to other keys. Or, you can move it phrase by phrase. Try mixing it up – playing the first phrase up the neck, and the second phrase in open position, etc..

I hope this gives you some options to work on. Let me know what you think.

Cy…


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Big Sciota

May 9, 2018 by Cy...

image of Appalachian Mountains in the fall.

Appalachia in the Fall.

Big Sciota is an old time tune that you’ll sometimes hear at bluegrass sessions. A lot of musicians have recorded it over the years. I learned it many years ago from another banjo player. Neither of us knew what a Sciota was, nor were we aware of the difference between a big one and a small one.

Of course, there was no Google back then, so we really didn’t concern ourselves much with the history of the tune or where it came from. We were just happy to add a new tune to our arsenal called Big Sciota.

About a year later, I met a fiddle player that also knew the tune. And, she called it “Big Scioty”. Whether we called it Big Sciota or Big Scioty, it was the same tune.

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The Tune

I’ve laid out a simple version here in the Key of G. So, there’s one sharp (F#).

If you start on the open G-string and play a two octave “G” scale, you’ll see all the notes used in this arrangement. In the B-part, we make a short trip into the 3rd octave to reach the A-note (5th fret) and B-note (7th fret) on the first string.

Each part is repeated twice, so it’s played A-A B-B

Listen to “Big Sciota” for mandolin:

Big Sciota
image of tab for the tune "Big Sciota".
Tab & music for the bluegrass tune “Big Sciota”.

Downloads:

*Tab & Music
*Just the Tab
*Just the Music
Make a donation to SimplyMandolin at https://www.paypal.com/donate/?hosted_button_id=6T4RDDANKE8PN

If you feel you can help support this site with the donation of a dollar or two, It would be very much appreciated…

If you don’t wish to donate at this time, I totally understand – Enjoy!

Big Sciota, Scioty or Scioto?

The tune is named after the Scioto River in west central Ohio. It flows in a southerly direction for just over 230 miles before it empties into the Ohio River at Portsmouth. The word “Scioto” was originally derived from a word in Wyandot, meaning “deer”. Wyandot is an Iroquoian language. Also, Wikipedia tells me that the English pronunciation is sy-OH-toh.

Probably passed on by word of mouth, I’m guessing the different endings depended on how that last syllable was heard (tuh, toh, teh). Apparently, the melody has Appalachian roots, and is sometimes pronounced there as “Scioty”.

The river is often “Big Scioto” (or Big Sciota, Scioty), because there is also a “Little Scioto”. It’s a tributary that flows into the bigger river before it reaches the Ohio.

Thanks for taking a look at Big Sciota arranged for mandolin. I hope you enjoy the tune.


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St. Anne’s Reel

May 3, 2018 by Cy...

image of mandolin for St. Anne's Reel.
Old Gibson with Handel tuners

St. Anne’s Reel is sometimes mistakenly considered to have originated in Ireland. Although it is popular in Ireland (and many other countries), its a traditional French Canadian fiddle tune that gained popularity in the 1930s.

Maybe I’ve heard some say that its been over-played, as is sometimes common with many popular tunes. However, it still doesn’t seem to have lost any of it’s appeal after all these years. Also, its definitely a favorite of students, and it appears on this website by request (thank you Brenda!). As a result, its not uncommon to hear it played at Irish or Scottish sessions, and the tune is probably in the repertoire of most old time fiddlers.

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The Tune

St. Anne’s is a nice, easy-to-play tune with notes that just seem to flow together.  Yet, there’s lots of room for embellishment and variation. There’s a ton of different versions out there.

It has a simple, but catchy melody that will stick in your head all day. I think that St. Anne’s Reel will be one of the more popular tunes on these pages.

Listen to “St. Anne’s Reel” for mandolin:

Saint Anne’s Reel
Image of music and tab for "St. Anne's Reel".
Music & Tab for the popular tune “St. Anne’s Reel”

Downloads:

*Tab & Music
*Just the Tab
*Just the Music
Make a donation to SimplyMandolin at https://www.paypal.com/donate/?hosted_button_id=6T4RDDANKE8PN

If you feel you can help support this site with the donation of a dollar or two, It would be very much appreciated…

If you don’t wish to donate at this time, I totally understand – Enjoy!

St. Anne’s Inspiration

There are hundreds of churches and shrines throughout North America dedicated to St. Anne. Considered to be one of the more popular saints, devotion to St. Anne is widespread among French Canadians. She is the official patroness of the province of Quebec.

In St. Anne de Beaupré, just east of Quebec city, there is a famous shrine Basilica dedicated to St. Anne. There are many miracles attributed to the shrine and it is the oldest pilgrimage site in Canada. Each year, people visit the Basilica from all over to pray for family and friends, or to seek help from St. Anne.

Thanks for taking a look at St. Anne’s Reel. I hope you enjoy the tune.


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Miss Mcleod’s Reel

April 7, 2018 by Cy...

Loch Shiel, Scotland.

South from Isle of Skye

Miss Mcleod‘s comes to us from the Isles of Skye and Raasay in Northern Scotland. It was apparently written for a young lady named Miss MacLeod, from Raasay. Therefore, you might be wondering how it got from ‘Mac’ to ‘Mc’. Well, I haven’t a clue. I’ve seen it spelled both ways. As a result, I’ll spell it both ways throughout this page, (just for search purposes).

Another famous MacLeod from Raasay is Calum MacLeod. He spent many years of his life building a road (by hand) on the Isle of Raasay. His endeavors were inspiration for the strathspey by Capercaillie, called Calum’s Road.

The image you see above is from the top of a hill in Glenfinnan, Scotland, overlooking Loch Shiel. After spending some time on the Isle of Skye, we were headed for Oban (going to visit the whiskey distillery). I wanted to watch the Jacobite Express (steam engine) as it crossed the Glenfinnan Viaduct. While it was a little out of our way, we still decided to take it in. And I’m glad we did. Another beautiful drive, and some great photo opportunities.

However, we missed the train by about 10  minutes!

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The Tune

Originally from Scotland, the tune seems to have gained huge popularity in Ireland and North America. Therefore, many different versions, in several different keys can be found throughout the folk music scene.

In addition, it goes by many different names. Often called “MacLeod’s Reel” or “MacLeod of Raasay“, in Scotland. Elsewhere, it’s usually referred to as “Miss Mcleod“, or “Miss Mcleod’s Reel”. Many North American fiddlers may know it as “Hop High Ladies” or “Did You Ever Meet the Devil, Uncle Joe”.

Probably the most common key for this tune in North America is the Key of G major.

Listen to “Miss Macleod” for mandolin:

Miss Mcleod’s Reel

Image of mandolin tab for the Celtic tune "Miss Mcleod".
Mandolin Tab for the Celtic tune “Miss Mcleod”.

Downloads:

Tab & MusicDownload
Just the TabDownload
Just the MusicDownload
Make a donation to SimplyMandolin at https://www.paypal.com/donate/?hosted_button_id=6T4RDDANKE8PN

If you feel you can help support this site with the donation of a dollar or two, It would be very much appreciated…

If you don’t wish to donate at this time, I totally understand – Enjoy!

I hope you enjoy this version of Miss Mcleod’s Reel.
Please feel free to leave comments below.

Cy…


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New Five Cent Piece

March 31, 2018 by Cy...

The Shield Nickel

Half a Dime

The new five cent piece you see on the left, was nicknamed the “shield nickel” (for obvious reasons). It was stamped in the United States in 1866, and has a pretty interesting story.

Previously, there was a 5 cent coin, called a ‘half dime’. That coin was made of silver. During the Civil War, U.S. coins were being hoarded and exported. Therefore, precious metals were becoming all that much more precious and many U.S. coins almost disappeared completely from circulation.

In 1864 the government decided to replace many of those coins with paper money (a bank note).

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Are You Kidding?

The deciding party, agreed that the image on the 5 cent bank note would be that of William Clark. In the early 1800’s, Clark had helped lead the Lewis and Clark expedition across the Louisiana Purchase to the Pacific Ocean.

However, when the bank note came out, it was discovered that Spencer Clark, head of the Currency Bureau, had put his own portrait on the currency, instead of that of the famous explorer.

How does that happen? I don’t know. Maybe they just said “Let’s put Clark’s picture on it!”, and Spencer Clark thought “Wow!.. Yeah!”.

As a result, U.S. congress immediately voted to discontinued the bank note, and the next year, a new 5 cent coin was struck out of nickel and copper (the Shield Nickel).

For more info, check out the article “Nickel (United States Coin)” on wikipedia.


The Tune

Is the story of the “shield nickel” the inspiration for the tune “The New Five Cent Piece“? I don’t know. But, it’s a good story. From what I’ve read, somebody wrote lyrics to the melody in the early 1900’s, but the tune had been around longer than that.

So, who knows?

Awhile ago, I saw a video on YouTube of Adam Steffey and his wife playing the tune “Rock the Cradle, Joe” from his album “Primitive”. Of course, there were some other good tunes on the album as well, like “Squirrel Hunter” and “Chinquapin Hunting”. So, I purchased it. Consequently, that’s when I first heard the tune “New Five Cent Piece“.

As a result, you see my simple version below. However, it doesn’t have the barrage of rapid-fire notes typical of Steffey, but it is loosely based on that recording.

Listen to “New Five Cent Piece” for mandolin:

New Five Cent Piece

Image of the mandolin tab & music for the tune "New Five Cent Piece".
Mandolin tab & music for the tune “New Five Cent Piece”.

Downloads:

five_cent-mtDownload
five_cent-tabDownload
five_cent-musDownload
Make a donation to SimplyMandolin at https://www.paypal.com/donate/?hosted_button_id=6T4RDDANKE8PN

If you feel you can help support this site with the donation of a dollar or two, It would be very much appreciated…

If you don’t wish to donate at this time, I totally understand – Enjoy!

If any downloads or images are missing, please let me know. I’ll get on it as soon as I can.

image of 1864 five cent note.
Spencer Clark on the new bank note.

I hope you enjoy “The New Five Cent Piece“.
Please feel free to leave comments below.


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Grey Eagle

March 17, 2018 by Cy...

image of a fiddle player

Grey Eagle is another great old-time fiddle tune that has become a popular bluegrass instrumental.

All the great fiddle players have recorded it over the years. Each one has added their own little twists and subtle changes to the tune.

As a result, some of those variations and hooks have stuck with the tune. They have actually become part of the modern day version of Grey Eagle. What may have started out as a simple 2-part fiddle tune, has evolved into a much more complicated fiddling extravaganza!

Oh, and it’s fun to play on the mandolin.

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The Tune

Grey Eagle is a great traditional fiddle tune, and a rewarding one to learn on the mandolin.

Its usually played in A Major, and that’s what we’ll look at on this page. Also, I’ve only tabbed out a simple 2-part version, so everyone should be able to give it a try. It can be played AABB.

I’ve included a couple of short, 1-measure changes for you to try. But, we’ll save the ‘higher-position’ versions for another time, if there’s interest.

Listen to “Grey Eagle” for mandolin:

Grey Eagle
Slower

Grey Eagle

Image of Mandolin tab for the Bluegrass tune "Grey Eagle".
Mandolin tab for the Bluegrass tune “Grey Eagle”.

Downloads:

Tab & MusicDownload
Just the TabDownload
Just the MusicDownload
Make a donation to SimplyMandolin at https://www.paypal.com/donate/?hosted_button_id=6T4RDDANKE8PN

If you feel you can help support this site with the donation of a dollar or two, It would be very much appreciated…

If you don’t wish to donate at this time, I totally understand – Enjoy!

Simple Changes…

I’d like to give you a few simple variations to try, if you like.

1. The first time through the A-part, play it like it’s tabbed out above. Second time through try switching the two D-licks around. As a result, you’ll play the 7th bar in place of the 3rd (and the 3rd in place of the 7th).

2.The second time through the B-part, try replacing the E-lick in the 14th bar with this:

image of a lick variation

3. Finally, when you get to the ending try replacing the 16th and 17th bars with the following:

image of different ending for Grey Eagle.

First of all, try to shift your hand position up as you play the open “A” note, moving your index finger to the 5th fret to begin playing the next 4 notes. Finally, use that open “E” note (on the 1st string) to give you a split second to shift your position back down, placing your ring finger on the 5th fret to finish up that bar and move into the next.

Download:
Tab with Variations

Thanks for taking a look at Grey Eagle. And, I hope you enjoy the tune.
Please feel free to leave comments below.


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